READ MORE: The second-fastest qualifier, Sam Hornish Jr., picked Stall 18 behind the second stall opening on pit road. Third-fastest Kyle Busch picked Stall 10 behind the first pit stall opening on pit road. READ: Harvick’s late charge leads to 600 win READ: Latest news from Dover READ: Pit crew key as Hamlin claws back READ: Kenseth, Johnson hopes wrecked in 600 Coors Light Pole Award Winner Austin Dillon gets his pick of pit stalls ___________________________________________________________________________________________Comments are currently unavailable. We’re working on the development of a NASCAR fan forum – please stay tuned. Just like Denny Hamlin in the NASCAR Sprint Cup Series, Austin Dillon won his second consecutive Coors Light Pole Award in the NASCAR Nationwide Series, taking the top spot at Dover International Speedway.
It’s an exciting time to get down with Denver-based group Greener Grounds. The group has a stacked summer ahead, with performances set at festivals like FARM Fest, ARISE Music Festival, Backwoods Music Festival, Resonance Music & Arts Festival, Luna Light Music Festival and so many more shows nationwide! What better time for the jamtronica crew to unveil their newest creation, the album Momentous.The eight track, 54-minute album was recorded at the Decibel Garden by Everett Oklar, and mastered by Dom Gambone with Black Rock Music Productions. Opening with the psychedelic waves of “Resonate,” the five-piece build on tight grooves and complex compositions to create some totally unique and exciting music. The band consists of Joe Shur on lead guitar, Mathew Buelt on rhythm guitar, Roland Hanson on keys/synth, Jay Rieder on bass and AJ Gillman on drums.We’re excited to premiere the new album, which you can stream in full, below!Like what you hear? There’s good news, because Greener Grounds will be on the road all summer long! With an album release party coming up this Friday, July 8th at Cervantes’ Other Side, there are countless opportunities to catch these exciting up and comers on the road! Tour dates can be seen below, and more information can be found on the band’s website.Greener Grounds Summer Tour ScheduleJuly 8 | Cervantes’ Other Side (Denver, CO) ** Official Momentous Album Release PartyJuly 14 | Bluebird Nightclub (Bloomington, IN) w/ EarphorikJuly 15 | The Mousetrap (Indianapolis, IN)July 16 | Madison Live! (Covington, KY) w/ PeridoniJuly 17 | Scarlet & Grey Café (Columbus, OH) w/ PeridoniJuly 19 | Fete Music Hall (Providence, RI)July 20 | Brighton Music Hall (Boston, MA) w/ WobblesauceJuly 21 | Pacific Standard Tavern (New Haven, CT) w/ WobblesauceJuly 22 – 23 | FARM Music & Arts Festival (Hammonton, NJ)July 24 | Knitting Factory (Brooklyn, NY) w/ WobblesauceJuly 26 | 2720 Cherokee (St. Louis, MO)July 27 | The Bottleneck (Lawrence, KS) w/ Jahman BrahmanAug 5 – 7 | ARISE Music Festival (Loveland, CO)Aug 19 | Old Town Pub (Steamboat Springs, CO)Aug 31 | Fox Theatre (Boulder, CO) w/ Pink Talking FishSept 2 – 4 | Backwoods Music Festival (Stroud, OK)Sept 15 | Barkley Ballroom (Frisco, CO)Sept 16 | Frequinox Music Festival (Taos, NM)Sept 17 | Animas City Theatre (Durango, CO) w/ Digital Beat DownSept 21 | Patton Alley Pub (Springfield, MO) w/ Psychedeltribe Sept 22 – 24 | Resonance Music & Arts FestivalOctober 13 – 16 | Luna Light Music Festival
We haven’t heard much from Daft Punk since the release of their multiple Grammy-winning album Random Access Memories in 2013. But it looks like that may be changing soon. In an interview with Billboard, Republic Records executive Wendy Goldstein was asked a question about what artists she’s always wanted to work with, and answered–rather nonchalantly–with some exciting news: “Actually, we [Goldstein and fellow hitmaker Ron Perry] have a session coming up in two days with The Weeknd and Daft Punk. I’m a massive Daft Punk fan, and this is the first time that I’ve actually been involved with an artist who’s going to go and work with them.”While this is the only information we have about the reported session, this is definitely exciting news for fans of both The Weeknd and Daft Punk. Watch the full video below (or skip to 2:39 for Goldstein’s comment):[h/t – YourEDM]
Last night, Widespread Panic continued their run of the Northeast with a performance at The Mann Center for the Performing Arts in Philadelphia, PA. After wrapping up two classic shows at the new venue in Coney Island, NY, anticipation was high for this late-summer Sunday performance.Fortunately, Panic brought the heat all night, opening with a cover of Neil Young’s “Walk On,” before a great series of prized originals spanned the entire first set. The band ultimately closed out set one with a rendition of Buffalo Springfield’s classic “For What It’s Worth,” which you can watch below.Watch Widespread Panic’s take on “For What It’s Worth” below, courtesy of Bill Cochran.Set two opened with the classic Bob Dylan song “A Hard Rain’s A-Gonna Fall” and featured “You Should Be Glad” and The Meters’ “It Ain’t No Use.” The band even welcomed some guests during the “Drums” segment that followed “Impossible,” as Sikiru Adepoju and Richie Shakin’ Nagan accentuated the jam with unique percussion instruments. Finally it was “Saint Ex,” “Proving Ground,” and “Action Man” that closed out the second set. “May Your Glass Be Filled” and “Postcard” served as a two-song encore, leaving Panic fans smiling after a great showing at the Mann.Check out the full PanicStream.com setlist, which can be seen below.Setlist: Widespread Panic at The Mann Center for the Performing Arts, Philadelphia, PA – 9/11/16Set 1: Walk On, Makes Sense To Me, This Part of Town, Glory, Visiting Day, Old Neighborhood, The Last Straw > Big Wooly Mammoth > For What It’s Worth (66 mins)Set 2: A Hard Rain’s A-Gonna Fall, You Should Be Glad, It Ain’t No Use > Blight, Impossible > Drums* > Drums & Bass* > Saint Ex, Proving Ground, Action Man (89 mins)Encore: May Your Glass Be Filled, Postcard (11 mins)Notes: * w/ Sikiru Adepoju on Talking Drum; Richie Shakin’ Nagan on Shakers
Last summer, bands like Alabama Shakes, Trey Anastasio Band, ODESZA and more flocked to Buena Vista, Colorado for the inaugural Vertex Festival. The event was an all-around success, championed by Madison House Presents and attended by thousands of local music fans. Unfortunately, it looks like the festival will not be happening next year, thanks in part to the slowness of the local government to reissue permits.A new Denver Post feature details the full situation. According to their report, the permits for Vertex 2017 were just passed, pushing Madison House “well past original planning timelines.” That was mentioned in a statement released by Vertex, which says:“The recent approval of the permit for Vertex in 2017 is much appreciated, and displays the collective intentions to discover a great path forward. Buena Vista’s relationship with a world-class festival has amazing potential. Rushing forward could compromise the quality of the festival and is not in the best interest of Buena Vista or Vertex. We look forward to ongoing productive discussions with the community so that we can best plan the dream of what Vertex can become.”Their statement did leave room for the festival to potentially return in the future, much like Madison House Presents did when they took a year off to rebrand Rothbury as Electric Forest. However, numerous problems – including noise complaints and subsequent noise limitations – thwarted their ability to put on the festival properly. It will be interesting to see what happens to Vertex in the future, but unfortunately this report definitely puts an end to the festival’s return in 2017.
Last night was a difficult day for rock & roll, and most anyone who had the chance to play music played in honor of Butch Trucks and the Allman Brothers Band. Such was the case for Adrian Tramontano (drums), Chris DeAngelis (bass), Rob Somerville (saxophone) of Kung Fu, and keyboardist Cyrus Madan (Deep Banana Blackout) last night.The BRYAC Funk All Stars came together in Bridgeport, CT last night and played a funky version of “Hot ‘Lanta” in memory of Butch & the Allmans, with special guest Sammy Blanchette (CK3, Hubinger St, Fattie Roots) on guitar. You can watch the performance below, courtesy of YouTube user stublatt:Butch Trucks had an influence on many musicians, and the memories continue to share throughout social media. Adrian Tramontano had this to say about the loss:
Load remaining images Fruition showed their fiery Americana spirit for the fans at The Bluebird in Bloomington, IN last Monday night. While any band can be inspired to bring their best to a packed house of screaming fans on a weekend, it takes a special mindset to deliver the same on a Monday along a lengthy tour. Having just finished an epic run of shows opening for Greensky Bluegrass, Fruition was coming off a wild high that saw them wowing audiences of rabid music lovers and making new fans left and right. They brought that energy onto the next phase of their current tour, a decidedly lower key event that saw them bring that exact same level of passion to a decidedly smaller crowd in a frigid college town on a Monday night during midterms.Make no mistake, Fruition has had incredible success over the last few years. Their appearances on festivals coast to coast, on radio airwaves and nonstop touring schedule have built them an ardent fan base outside of their Pacific Northwest home. By the end of their show, a respectable crowd had gathered at the venue to be both amazed and pulled into an irresistible boogie by the sounds they laid down that night. Simply put, the display of energy this immensely talented and completely dedicated band showed a spirit that was more impressive than any sold out show played to crowds ten times the size.Guitarist and front man of the show opener Tom Hamilton and his band, American Babies, knows full well the dichotomy of playing larger and smaller shows in short succession. As a member of Joe Russo’s Almost Dead, Hamilton regularly plays to massive crowds of rabid fans before hitting the smaller stages with his more personal project. He brought the same stellar fret board fireworks to the Bluebird stage that he did time and again to the main stages of some of the biggest fests and venues in the country and the fans in attendance loved him for it.His playing style has always had recognizable elements of the late Jerry Garcia, yet he manages to craft a sound wholly unique. The rest of his bandmates back him admirably, particularly his fellow guitarist Justin Mazer who matched Hamilton with his bluesy skills. While he stuck to his own compositions for the majority of the set, Hamilton couldn’t resist putting his own spin on one of the tunes that dominates his other, higher profile gig, with a scorching take on the Grateful Dead classic “Deal.” The slowly building crowd was most receptive to the bubbling take on the tune, and crowded around the artist as he left the stage to offer high fives and thanks for his work priming the night properly.After Hamilton’s opening set, Fruition geared up for their headlining performance. The band has tirelessly toiled over the last decade to not only make a name for themselves as a performing act but to perfect the song writing skills that make their sound so satisfyingly unique. While all the members of Fruition contribute to the writing process in one form or another the three person front of Jay Cobb Anderson, Mimi Naja and Kellen Asebroek are credited with the lions share of the material. The work of these three arms the band with plenty of sonic weapons to be deployed to destroy minds and touch hearts.The venue steadily filled as the band played the first strains of the set opener, “Just One Of Them Nights,” a wry and winsome Anderson tune that makes a lonely and sorrowful mindset still sound like a pleasant moment of contemplation. The sweetness of their voices blended and the melodies from Naja’s mandolin work contrasted with the subject matter, elevating both by design. The band mixes and matches both tone and sentiment, deftly indicating an ability to imbue their music with emotional merit.Songs like “Random Lee” and “Above The Line” continued to prime the pump, but the first true watershed moment of the night was their most well known tune, “Labor Of Love.” Performed with a mad scramble of bodies crashing and thrashing around the stage, the energy coming from Fruition had a visible effect on the crowd as literally everyone in the house, including the noble tenders of the bar, managed to find a way to boogie down. With everyone on the same page the show got kicked up a notch with the heart of the order batting again.Our own Rex Thomson was on hand filming the fun, and has selected a cross section of songs from the evening to showcase the wide variety of sounds and styles that Fruition employs. What is most impressive about the band is the unity of purpose and identity that comes through, no matter who is singing and how heavy or light they are playing. A breathless ballad by Anderson sounds as much like a Fruition song as a rocking ode to illicit snuggling from Naja. That confidence was born of endless nights on the road, and it is well represented in the songs shared below.“I Can’t Stop”“Laydown Blues”“Mountain Annie”“There She Was”Though Fruition played right up to the predetermined cut off without leaving themselves time for a proper encore, the wild cheers and applause drew them back, with suitably humble words of thanks for the reception. Wrapping the night with a spot on take of Led Zeppelin‘s “Hey Hey What Can I Do,” the band hit the accelerator and gleefully burned what fuel they had left in the tank in full glory, leaving themselves literally gasping for air. They did this on a Monday night, just a day removed from playing to a far greater crowd in a much larger city.That level of commitment to purpose, of owning the pure intention of giving their all, night in and night out, is what has made Fruition the national touring act it is today. If they continue turning in performances like they have on this tour, it is what will lead them to one day becoming the “don’t miss” show that, to so many, they already are. Best of all, judging from their friendly time greeting the fans after a few moments to regain their composure, it will be a case of dedicated artists being rewarded for sharing their love.Listen to a wonderful soundboard of the show thanks to the band and their jack of all trades, Terry Lapointe, below:Setlist: Fruition | Bluebird Theater | Bloomington, IN | 2/13/17Set 1: Just One Of Them Nights, Random Lee, Above The Line, Labor Of Love, I Don’t Mind, I Can’t Stop, The Wanter, Blue Light, Laydown Blues, Mountain Annie, There She Was, Santa Fe, Fallin On My Face, I Should Be (On Top of The World), Stickshifts and Safety Belts, Meet Me On The Mountain, Boil Over, Misty Morning/Early Morning Wake Up, BentEncore: The Meaning, Hey Hey What Can I Do (Street Corner Girl)
Roger Waters has been hinting at a new album for some time now, even recently posting a photo with Radiohead producer Nigel Godrich together in the studio. Today he confirms new music with an official announcement. Dubbed Is This the Life We Really Want?, the upcoming project comes 25 years after the Pink Floyd bassist’s most recent solo album, Amused To Death(1992).The announcement came strong with a video on his Facebook page, with a sample of the new music over a video that eventually displays the album title Is This the Life We Really Want?. With no other details, Rogers promises the album is “coming soon.” The album title seems to hint that there will be some political dialogue, as Rogers has been an outspoken voice against political corruption for decades – even recently sharing official footage of the “Pigs (Three Different Ones)” performance on Inauguration Day with the caption “A note from Roger: The resistance begins today.” Get a taste of what to expect from the new album below:Waters is currently preparing for his upcoming Us And Them North American tour, which kicks off end of May and extends through late October. The tour is named after the iconic song on 1973 Pink Floyd album Dark Side Of The Moon, on which Waters recently reflected in an interview with NPR. Waters says, “I was listening to [the song] the other day. There’s a line which goes, ‘With, without, and who’ll deny that’s what the fighting’s all about?’ And the answer to the question is this: Almost everyone. Almost everyone will deny that ‘with/without’ is what the fighting’s all about. My contention is that it is. That’s why my new tour is going to be called ‘Us and Them.’ It’s specifically about that line.”Waters promises a mixture of Pink Floyd songs, solo material, and songs from the upcoming album! Check out the full tour schedule below.Roger Waters Tour DatesMay 26, Kansas City, MO Sprint CenterMay 28, Louisville, KY KFC Yum! CenterMay 30, St. Louis, MO Scottrade CenterJune 1, Tulsa, OK BOK CenterJune 3, Denver, CO Pepsi CenterJune 7, San Jose, CA SAP Center at San JoseJune 12, Sacramento, CA Golden 1 CenterJune 14, Phoenix, AZ Gila River ArenaJune 16, Las Vegas, NV T-Mobile ArenaJune 20, Los Angeles, CA STAPLES CenterJune 21, Los Angeles, CA STAPLES CenterJune 24, Seattle, WA Tacoma DomeJuly 3, Dallas, TX American Airlines CenterTBD San Antonio, TX AT&T CenterJuly 6, Houston, TX Toyota CenterJuly 11, Tampa, FL Amalie ArenaJuly 13, Miami, FL American Airlines ArenaJuly 16, Atlanta, GA Infinite Energy CenterJuly 18, Greensboro, NC Greensboro ColiseumJuly 20, Columbus, OH Nationwide ArenaJuly 22, Chicago, IL United CenterJuly 23, Chicago, IL United CenterJuly 26, St. Paul, MN Xcel Energy CenterAugust 2, Detroit, MI The Palace of Auburn HillsAugust 4, Washington, DC Verizon CenterAugust 8, Philadelphia, PA Wells Fargo CenterAugust 9, Philadelphia, PA Wells Fargo CenterSept. 7, Newark, NJ Prudential CenterSept. 11, Brooklyn, NY Barclays CenterSept. 12, Brooklyn, NY Barclays CenterSept. 15, Uniondale, NY Nassau ColiseumSept. 19, Pittsburgh, PA PPG Paints ArenaSept. 27, Boston, MA TD GardenSept. 28, Boston, MA TD GardenOct. 2, Toronto, ON Air Canada CentreOct. 3, Toronto, ON Air Canada CentreOct. 6, Quebec City, QC Videotron CentreOct. 10, Ottawa, ON Canadian Tire CentreOct. 16, Montreal, QC Bell CentreTBD Winnipeg, MB MTS CentreOct. 24, Edmonton, AB Rogers PlaceOct. 28, Vancouver, BC Rogers Arena,Waters promises a mixture of Pink Floyd songs, solo material, and songs from the upcoming album! Check out the full tour schedule below.Roger Waters Tour DatesMay 26, Kansas City, MO Sprint CenterMay 28, Louisville, KY KFC Yum! CenterMay 30, St. Louis, MO Scottrade CenterJune 1, Tulsa, OK BOK CenterJune 3, Denver, CO Pepsi CenterJune 7, San Jose, CA SAP Center at San JoseJune 12, Sacramento, CA Golden 1 CenterJune 14, Phoenix, AZ Gila River ArenaJune 16, Las Vegas, NV T-Mobile ArenaJune 20, Los Angeles, CA STAPLES CenterJune 21, Los Angeles, CA STAPLES CenterJune 24, Seattle, WA Tacoma DomeJuly 3, Dallas, TX American Airlines CenterTBD San Antonio, TX AT&T CenterJuly 6, Houston, TX Toyota CenterJuly 11, Tampa, FL Amalie ArenaJuly 13, Miami, FL American Airlines ArenaJuly 16, Atlanta, GA Infinite Energy CenterJuly 18, Greensboro, NC Greensboro ColiseumJuly 20, Columbus, OH Nationwide ArenaJuly 22, Chicago, IL United CenterJuly 23, Chicago, IL United CenterJuly 26, St. Paul, MN Xcel Energy CenterAugust 2, Detroit, MI The Palace of Auburn HillsAugust 4, Washington, DC Verizon CenterAugust 8, Philadelphia, PA Wells Fargo CenterAugust 9, Philadelphia, PA Wells Fargo CenterSept. 7, Newark, NJ Prudential CenterSept. 11, Brooklyn, NY Barclays CenterSept. 12, Brooklyn, NY Barclays CenterSept. 15, Uniondale, NY Nassau ColiseumSept. 19, Pittsburgh, PA PPG Paints ArenaSept. 27, Boston, MA TD GardenSept. 28, Boston, MA TD GardenOct. 2, Toronto, ON Air Canada CentreOct. 3, Toronto, ON Air Canada CentreOct. 6, Quebec City, QC Videotron CentreOct. 10, Ottawa, ON Canadian Tire CentreOct. 16, Montreal, QC Bell CentreTBD Winnipeg, MB MTS CentreOct. 24, Edmonton, AB Rogers PlaceOct. 28, Vancouver, BC Rogers Arena
This weekend, Lettuce is hosting their first-ever celebration of funk music at The Fillmore Philadelphia, dubbed Funk Of Ages: Past, Present & Future. The world-dominating future-funk trailblazers will host an incredible lineup of bands to honor the “Funk of Ages,” including multi-Grammy Award-winning funk/jazz/R&B ensemble Snarky Puppy, nine piece modern “power funk” act Turkuaz, Snarky bandleader Michael League‘s world-beat side project Bokanté (featuring Roosevelt Collier and more), and CT-based ensemble Funky Dawgz Brass Band.And now, The Brandon Niederauer Band has just been added to this incredible lineup! Fourteen-year-old “Taz” has been wow-ing audiences since before he entered double digits, gaining the respect of Derek Trucks, Warren Haynes, and George Porter Jr. along the way. The young guitarist is well-versed in all things funk, rock, and blues, with a pocket full of originals ready to rock.Armed with an un-fuck-withable crew of musicians, Funk of Ages is set to elevate fans’ understanding and appreciation of funk music, providing a tour of different eras and approaches to the sound. From early innovators and modern-day funk ambassadors (Lettuce), to avant-garde jazz-funk heavyweights (Snarky), to modern funk with mass appeal (Turkuaz), “Funk of Ages” will highlight and celebrate all ends of the genre’s sprawling spectrum for one incredible funky day of music!Live For Live Music Presents Funk of Ages: Past, Present & Future will take place on June 24th at The Fillmore. Tickets are available here.In addition to the evening’s festivities inside the venue, Funk of Ages will also include a free block party from 1-4pm. Outside of The Fillmore and Punch Line Philly, there will be gourmet food, craft beers, beverages, beer gardens, yard games, and more for guests to enjoy. Music will be provided by the Funky Dawgz Brass Band and others, while the day begins to take shape in a way like never before. Join Philly in showcasing their commitment to one-of-a-kind live music events at the first-ever Fillmore Block Party![cover photo by Josh Timmermans]
Ad-Rock, the former Beastie Boys member, just released a remix of Spoon’s cowbell-heavy “Can I Sit Next To You”, off the group’s ninth studio album, last year’s Hot Thoughts.While Hot Thoughts already showed the Austin, Texas-based indie-rock band exploring more funk-inspired stylings, the Beastie Boy rapper heightens this vibe with his remix of “Can I Sit Next To You”. In Ad-Rock’s reimagining of the Spoon song, the rapper, guitarist, and actor reconstructs “Can I Sit Next To You”, isolating the song’s propulsive and prominent bass and drums and the airy vocals laid out by Spoon singer Britt Daniel and relayering them.Currently, Spoon has plans to tour with Grizzly Bear for seven shows in June, spanning from June 18th to June 30th, in addition to an upcoming leg of their current tour, which begins on May 13th in Nashville. As for Ad-Rock, he has teamed with Mike D, the other surviving member of the Beastie Boys, to release a memoir due out in the fall. The highly anticipated book has been in the works since 2013.You can take a listen to Ad-Rock’s remix of Spoon’s “Can I Sit Next To You” below.Spoon – “Can I Sit Next To You” (Ad-Rock Remix)[H/T Rolling Stone]