Dover Nationwide Series pit stall assignments

first_imgREAD MORE: The second-fastest qualifier, Sam Hornish Jr., picked Stall 18 behind the second stall opening on pit road. Third-fastest Kyle Busch picked Stall 10 behind the first pit stall opening on pit road. READ: Harvick’s late charge leads to 600 win READ: Latest news from Dover READ: Pit crew key as Hamlin claws back READ: Kenseth, Johnson hopes wrecked in 600 Coors Light Pole Award Winner Austin Dillon gets his pick of pit stalls ___________________________________________________________________________________________Comments are currently unavailable. We’re working on the development of a NASCAR fan forum – please stay tuned. Just like Denny Hamlin in the NASCAR Sprint Cup Series, Austin Dillon won his second consecutive Coors Light Pole Award in the NASCAR Nationwide Series, taking the top spot at Dover International Speedway. last_img read more

Timo Meier explains ending to Game 3 from his vantage point

first_imgCLICK HERE if you are having a problem viewing the photos or videos on a mobile deviceST. LOUIS — Timo Meier said he wasn’t sticking around to see if there was a change of heart.Around the time a few members of the St. Louis Blues were complaining to the two referees about what preceded Erik Karlsson’s overtime goal in Game 3 on Wednesday night, Meier and just about every other Sharks player had already made their way to the visitor’s dressing room at Scottrade Center.“At least the group I …last_img read more

Tata Consultancy expands in SA

first_img31 October 2007Global information technology (IT) services provider and outsourcing company Tata Consultancy Services (TCS) has in partnership with an empowerment partner launched a local subsidiary, TCS South Africa, to strengthen and expand its operations in the country.“We see South Africa as a key strategic market for TCS and also as a gateway to southern and central Africa,” TCS chief executive and managing director Subramaniam Ramadorai said in a statement last week.“Through our own subsidiary, we will be well-placed to contribute to the economic growth of the country and its businesses by bringing in global best practices and world-class technology solutions.”TCS is part of the US$29-billion Tata Group, which already has extensive operations in South Africa through subsidiaries like Tata Motors, Tata Steel and VSNL, which is the largest single shareholder in South Africa’s second landline operator, Neotel.Ramadorai said the new model would help the company make a greater contribution to the South African economy by investing in the skills of its IT professionals by providing world-class training, and also bringing global best practices to help increase the competitiveness of South African businesses.Opening a subsidiary is also in line with TCS’s global strategy to have a direct presence in the countries in which it operates.The statement adds that TCS South Africa will have equity participation from local black economic empowerment groups to ensure a high level of social governance and localisation of services and skills.“To help its customers in South Africa, TCS has already created a near-shore delivery capability in Johannesburg, from where we are providing support services for our financial services products implemented in South Africa,” TCS chief operating officer N Chandrasekaran said.“The South African operations will emerge as a hub to serve customers in the southern and central parts of Africa.”TCS already does business in South Africa, with the government as well as with leading companies in the banking and financial services, manufacturing, energy, telecommunications and retail sectors.SAinfo reporter Want to use this article in your publication or on your website?See: Using SAinfo materiallast_img read more

Without a nation there is nothing to brand

first_imgNation branding challenges and successes faced by Eastern European countries such as Ukraine, Bulgaria and Kosovo, in the wake of political and social change in the region since 1989, were held up as lessons in nation branding.Professor Nadia Kaneva offered the analysis in a presentation titled “The branded national imagination and its limits: Insights from the post-socialist experience” given at a Brand South Africa Competitiveness Forum for South African academia. Held at the University of Pretoria, Tshwane, on 5 October 2016, the forum aimed at in-depth analysis of global and domestic issues influencing the reputation and competitiveness of the nation’s brand.“As communism was ending, the Romanian flag allowed for a discourse around the future of the Nation” says Dr. Nadia Kaneva @Brand_SA forum— Guido van Garderen (@GuidovGarderen) October 5, 2016Presenting at the event were key academics in the fields of business, humanities and political science, from a host of South African universities and tertiary institutions.The goal of the dialogue is to compile all presentations and contributions into a peer-reviewed journal, with a view to positioning South Africa as a thought leader in nation branding. Key to the success of that journal will be the keynote contribution from Kaneva.Bulgarian-born Kaneva is an associate professor in the University of Denver’s media, film and journalism faculty. She is a globally respected and widely published researcher who uses critical sociology and media studies to dissect the commercialisation of politics and culture in Eastern Europe through nation branding and reputation-building.Kaneva’s ultimate conclusion – that in order to be more effective, an imagined nation brand should align closer to and more realistically to the changes in the nation and its people – was honed through extensive research on radical changes in Romania after the fall of communism, post-conflict Kosovo during the 2000s and the relationship between Ukraine and Russia as recently as three years ago.The lessons learnt in the research can be just as easily applied to any nation brand, especially for emerging economies like South Africa, she says.In introducing Kaneva, University of Pretoria deputy dean of humanities Professor Maxi Schoeman highlighted the importance of getting an outsider view on building South Africa’s brand internationally, someone objective enough to weigh up the differences and similarities between the country and nations with similar histories.The science and application of nation branding was now very much part of mainstream academia and an essential tool for governance, Kaneva said at the start of her presentation. As a legitimate interdisciplinary field, the study of nation branding included elements of media and marketing ideas, anthropological study, business theory and sociology.Yet, Kaneva argued, developing and managing a national brand and reputation would always be a highly political and therefore delicate process, the success of which did not always lie in the area of savvy marketing or critical theory.This was evident in post-socialist Eastern Europe countries experiencing the swift changes of political and economic experiments, Kaneva said.Extensive global multichannel marketing campaigns by Romania and Kosovo highlighted each country’s promise in its people and economics in a vastly depoliticised way, focusing on things such as tourism and investment and replacing a more realistic national identity with something more market-oriented, in other words, what “the outside world wanted to see”.In 2009, two years after gaining independence, Kosovo’s first attempt at marketing the country to the outside world was in the form of a television commercial, The Young Europeans. While carrying a positive message of reconciliation and cultural tolerance as well as an eagerness to partake economically in the European Union, it told little about the country and its people to outsiders (investors, tourists) that would differentiate it from any other European nation.While initially successful, there was a negative reaction from citizens, who felt misrepresented by this imagined nation brand. As Kaneva says, a rejection of idealised, imagined branding is ultimately counter-productive to what a country brand really wants to achieve.Watch The Young Europeans:At the crux of the argument, Kaneva says, is honesty with the nation brand, creating an identity that can actually be recognised by the people it is supposed to be representing.Offering solutions to link the imagined nation brand closer to reality, Kaneva highlighted the following:Recognise that nation branding has a political element and embrace it, with all its shortcomings and diversities.Invest in programmes and policy that encourages and grows both citizen engagement and development in the nation and its brand: let people inform the national message.Look beyond the data of perception ratings to formulate effective nation brand evaluation and measurement: outside views, particularly those formulated with data, are important, but other research models are necessary to get the complete picture of a nation.Diminish the focus and use of transnational mass media nation brand advertising; look to niche marketing opportunities for creating a truer, most consistent national image and reputation.Concluding her presentation, Kaneva said that reconstructing and refreshing national identities, particularly for nations with a history of significant political and societal transformation, should always consider the transformations of the people it represented, adding that, “without a nation there will be nothing to brand”.Download full reporterWould you like to use this article in your publication or on your website? 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Insights From the World’s Best Sound Designers and Mixers

first_imgLearn from filmmaking’s best mixers and sound designers with these interviews from Dolby Insider.Top Image: Ben Burtt via Editors Guild MagazineNever heard of Dolby Insider before? Neither had I, but I was glad to stumble across it. It’s a treasure trove of insights from some of the film industry’s best mixers, sound designers, and other creative artists.In this first video, from the 30th Anniversary Blu-ray edition of The Right Stuff, sound re-recording mixer Randy Thom shares his memories of the early days of mixing the epic movie. You can watch the video above.We didn’t have access to a big library of jets or explosions, and there were going to lots of jets and lots of explosions in the movie, and so I started going to… various military bases around the U.S. collecting sounds. So among other things, I would go out with these bomb disposal teams who would find these under exploded bombs in the middle of a firing range in the desert. And either diffuse them or blow them up… they’d attached explosive devices to these thousand bombs and then we’d march a hundred yards or so away and we’d hide behind a rock. I’d have my microphone set up and they’d blow it up and I would record it. I think the effort to capture as much original sound as we did, is probably a hallmark of The Right Stuff.Insights from Light Iron Digital’s Colorist Ian VertovecOne of director David Fincher’s favorite things to do is to perfect his films with split-comps or split-screens of the very best performances per person. In The Social Network colorist Ian Vertovec had to manage these shots through the final stages of post-production.I think the most wedges that a single frame is split into I think is 5 or 6 individual elements that were all incorporated into a single frame… and we really had to do our work throughout the DI, just to make sure that all those visual effect shots were coming through and they were stabilised correctly and the splits were sown together properly… we were dropping in visual effects shots all the way up until the final deliverable.Here are a few more interesting tidbits from Ian on color grading The Social Network, working with David Fincher, and what it’s like to get to work with the final sound mix. Sound Advice From Legendary Sound Designer Ben BurttThe work of Sound Designer Ben Burtt (Star Wars, the new Star Trek films, Raiders of the Lost Ark and many other blockbusters) will be instantly familiar to generations of cinema-goers. In these videos you can gain real insights into his creative process, industry experience, and hear his advice for would-be sound designers.I’ve always felt that, no matter what you do in the movie industry, your best preparation is to maybe learn many others things that may be have nothing to do with film… learn to write, learn some things about history, maybe some electrical engineering… the performing arts, especially motion pictures uses every discipline and you find that if you become knowledgable about something to the point that you develop a unique view point as an artist, then you can bring that to your film work.In these videos you can hear from Burtt about his work on Super 8, including working with new technology, collaborating with a composer, and delivering to a very tight schedule.We had to really act on instinct, there wasn’t a lot of chance to try something, and then the next day polish it and then come back two days later to listen to it and polish it again. You only had a few shots at something…. but that can be a good thing, because you trust at that point the taste of everyone in the crew… but also you act on your own gut feelings about things, and that can sometimes be more exciting. What do you think of all this awesome insider information? Did you see anything on Dolby Insider that you’d like to share? Do so in the comments below!last_img read more