Bored House / Cynthia Seinfeld

first_img Peru Projects ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/891036/bored-house-cynthia-seinfeld Clipboard “COPY” ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/891036/bored-house-cynthia-seinfeld Clipboard Save this picture!© Juan Solano Ojasí+ 22Curated by Danae Santibañez Share CopyHouses•Lima, Peru Photographs:  Juan Solano Ojasí Manufacturers Brands with products used in this architecture project Area:  750 m² Year Completion year of this architecture project “COPY” Housescenter_img Year:  Bored House / Cynthia Seinfeld Architects: Cynthia Seinfeld Area Area of this architecture project Photographs CopyAbout this officeCynthia SeinfeldOfficeFollowProductConcrete#TagsProjectsBuilt ProjectsSelected ProjectsResidential ArchitectureHousesLimaPeruPublished on March 25, 2018Cite: “Bored House / Cynthia Seinfeld” [Casa Horadada El Golf / Cynthia Seinfeld] 25 Mar 2018. ArchDaily. Accessed 11 Jun 2021. ISSN 0719-8884Browse the CatalogPartitionsSkyfoldVertically Folding Operable Walls – Zenith® SeriesVinyl Walls3MExterior Vinyl Finish – DI-NOC™ StoneShowerhansgroheShowers – Croma SelectDoorsRaynorGarage Door – Advantage SeriesConcreteSika3D Concrete PrintingSignage / Display SystemsGoppionDisplay Case – Bre-ClassSkylightsVELUX CommercialModular Skylights in Atelier Zimmerlistrasse OfficeWindowsswissFineLineSliding Windows in Villa LakesideSuspension SystemsMetawellAluminum Panels for Smart CeilingsGlassDip-TechDigital Ceramic Printing in Roofs & CanopiesSound BoothsFrameryMeeting Pod – Framery Q – Flip n’ FoldWall / Ceiling LightsAsaf WeinbroomLighting – Linestra 110 BrassMore products »Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否翻译成中文现有为你所在地区特制的网站?想浏览ArchDaily中国吗?Take me there »✖You’ve started following your first account!Did you know?You’ll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream Manufacturers: Kohler, D’Amato
, Decor Center, Kholer, TermiaSave this picture!© Juan Solano OjasíRecommended ProductsWindowsAir-LuxSliding Window – CurvedFiber Cements / CementsSwisspearlSwisspearl Largo Fiber Cement PanelsWindowsJansenWindows – Janisol PrimoWindowspanoramah!®ah!38 – FlexibilityBORED HOUSEThe project starts by understanding family relationships FORMED BY three different generations. Through long conversations, they transmit family dynamics as part of their “memory”, but above all, of their longings and desires. The proposal must cover all of them foreseeing new forms of occupation and unexpected relationships.Save this picture!© Juan Solano OjasíThe reduced lot and between dividing walls is located in a mono-functional residential district of Lima consolidated several decades ago, but in a changing process as many areas of the city. We concentrate the volume in the middle of the lot, discounting previous and subsequent withdrawals of a strict regulation. These withdrawals allow us to establish future location relationships with the environment that does not currently have much wealth, but is in constant mutation.Save this picture!SectionThus, we trace the volume reducibility to a simple and primary cubic entity occupying the maximum allowed and available lot. This lot has 300 square meters and the program amounts to 750 meters. The functions for rest and services are concentrated in the perimeter areas of the first, second and third floors, allowing to trace the boundaries with the street through a controlled opacity in the facadesSave this picture!© Juan Solano OjasíThe spaces for collective family gatherings are located towards the inside, through spatial sequences: voids that are superimposed in the direction of the sky through all the levels of the project, so that in each space the presence of the other and the relationships are experienced through spaces in movement. In these, there are no established certainties they can change, mutate or redefine.Save this picture!IsometricWe understand this spatial continuity as the possibility of erasing boundaries, as an operation that allows a symbiosis between the interior and exterior, so that its inhabitants can define and redefine their spiritual and physical state. Thus, it will be possible to discover that maybe intimacy does not mean loneliness or being apart, and that collective life can sometimes require a state of intimacy as well.Save this picture!© Juan Solano OjasíThe applicability of concrete, whose formwork leaves a deep impression on the material, allows a reading that mutates according to the shadows depending on the sunpath. Intermediate spaces with the street, meaning balconies, are treated with another materiality, such as a trace left by subtracting the volume, by using wood.Save this picture!© Juan Solano OjasíProject gallerySee allShow lessCampervan Breaks World Record for Largest Indoor 3D PrintArchitecture News11 of the Most Impressive and Innovative Rooftop SpacesArticles Share 2016 Bored House / Cynthia SeinfeldSave this projectSaveBored House / Cynthia Seinfeld ArchDailylast_img read more

Movies, music and mayhem at Limerick’s Theatre Royal

first_imgPrint Previous articleAfghan who hates Irish people ‘incentivised to return home’ court toldNext articleHead down to Plan’s arty party at Friday Milk Market Alan Jacqueshttp://www.limerickpost.ie Email London commemoration for famous Limerick exiles Advertisement Lighting up a Limerick legend Facebook Linkedincenter_img Twitter NewsMovies, music and mayhem at Limerick’s Theatre RoyalBy Alan Jacques – April 28, 2016 2639 RELATED ARTICLESMORE FROM AUTHOR WhatsApp TAGSAustralian Pink FloydBilly NastyBoogie WonderlandBoyzoneCatherine HayesFather TedfeaturedJohn McCormacklimerickLimerick Film ArchiveMy Lovely HorseOscar WildePatrick PearsePicturehousePress 22Roger CasementSeamus FlynnSharon ShannonSlackjawSpice-ish GirlsThe CorrsThe CranberriesThe HitchersThe ProdigyThe Royal ProjectTheatre Royal THE Eurovision episode of Father Ted was filmed in Limerick’s Theatre Royal. Patrick Pearse also roused volunteers in the same hall. Oscar Wilde delivered a talk on his personal impressions of America here and The Cranberries took to its stage after selling their first million records Stateside. There is now plans afoot for a four-screen cinema and digital hub. Limerick Post reporter Alan Jacques recently visited his old haunt.I STAND centrestage in a landmark building in the heart of Limerick City and breathe in its rich history and consider all those who have tread its boards.In the year of 1916 Centenary commemorations, it is almost impossible not to conjure up images of Patrick Pearse rousing volunteers in this same hall more than a hundred years ago.Sign up for the weekly Limerick Post newsletter Sign Up On the same cold Sunday night back in 1914, Roger Casement, another founding father of the Irish Republic, was also present.The walls of the Limerick Athenaeum at 2, Upper Cecil Street are steeped in history. Since it was built in 1833, it played a pivotal role in Limerick life for more than 150 years, drawing the community together to laugh, love, learn and dream.The venue has served many purposes down the years as an art school, lecture hall, library, theatre, cinema and live music venue.Sadly, the doors of what was known in its last incarnation as the Theatre Royal have been closed since 1997.In its heyday, Limerick Athenaeum played host to an impressive range of luminaries from Oscar Wilde to Maud Gonne, Catherine Hayes and John McCormack.While in more recent times everyone from The Cranberries to The Corrs, The Prodigy and Boyzone have plied their musical wares here.A church pulpit is curiously placed over on the corner of the stage. I am told it was a prop left over from one of two ‘Father Ted’ episodes filmed in the Theatre Royal. It was on this very stage that Fathers Crilly and McGuire crooned their way through ‘My Lovely Horse’ in that unforgettable Eurovision episode.Most of us of a certain vintage will also have very fond memories of the venue as the Royal Cinema. I can remember being brought to see Franco Zeffirelli’s epic ‘Jesus of Nazareth’ here when I was just six-years-old.I asked photographer Brian Gavin of Press 22, who joins me for this trip down memory lane, about his recollections of the old movie house.“Oh, I remember it well. I loved Westerns and my father used to take me to see all the John Wayne movies here,” Brian recalls.“We knew it as the flea market. You’d be itching all over after coming to see a film at the Royal. You’d have to be deloused when you got home.”Interestingly, Declan McLoughlin of Limerick Film Archive, and Dave Burns, director of The Royal Project, both remember ‘Raging Bull’ as the last film they saw at the city centre cinema. The film, a classic, stars Robert De Niro in Martin Scorsese’s emotional tale about a self-destructive boxer.Speaking of pugilists, the venue has taken a real pummeling in the last number of years. The harsh winter of 2010, which caused pipes to burst, delivered a severe body blow leaving the hall’s wooden floor buckled, uprooted in places, and in serious disrepair.That said, if Declan and Dave have their way, the Royal could, one day in the not so distant future, rise like a beautiful, fiery phoenix to relive some of its former glories.Their plan is to transform this desolate relic into a vibrant four-screen cinema, café/bar and digital hub that would bring much-needed life back into the city centre. The cost of realising this wonderful dream comes in at around €5.9 million — €12 million less than proposed for the controversial footbridge over the River Shannon.It may not make any of the ‘greatest movies of all time’ polls but as it turns out, the last film screened at the Royal was ‘Police Academy 2’.As I walk around one of my favoured city hangouts of the mid-nineties, the memories come rushing back. I vividly remember my old pals, Limerick band ‘The Hitchers’, launching their debut album ‘It’s All Fun and Games ‘Til Someone Loses An Eye’ here back in 1997 to a full house and real rabble-rousing party atmosphere.In the main foyer, a poster advertises a Picturehouse concert at the Theatre Royal on a bygone Sunday June 29 to promote their single ‘Heavenly Day’. Another talks up Billy Nasty, who performed here on Friday August 27, 1997, as “the UK’s number one Techno DJ”.A condom machine looks forlornly down from the wall of an upstairs toilet in this boogie wonderland. Once upon a time, it dispensed ‘sensual, ribbed and coloured’ variety packs to randy concertgoers with their minds on making sweet music of a different kind.In the dressing room, a flood of images come out to greet me from an antique mirror as I revel in a moment of nostalgia in these cosy backstage quarters. I can still picture former proprietor, the affable and charming Seamie Flynn, walking these corridors, greeting musicians and patrons as if into his home.Sitting on the bar in the main hall, an unopened bottle of Corrib Ginger Ale still waits patiently for a stiff drink to come along and liven things up.Posters and fliers that litter the venue tell their own tales of raucous musical capers from the likes of Sharon Shannon, The Spice-ish Girls, Slackjaw and the Australian Pink Floyd.These walls are filled with music, memories and laughter. Hopefully one day soon they will ooze vitality once more.It would be a Royal shame if they don’t!by Alan [email protected] pictures by Brian Gavin/Press 22last_img read more